Analisis Semiotika Roland Barthes Terhadap Lirik Lagu Band NOAH "Puisi Adinda"

David Ardhy Aritonang; Yohannes Don Bosco Doho

doi:10.36914/ge5p4q75

Authors

David Ardhy Aritonang STIKOM London School of Public Relations Jakarta Author
Yohannes Don Bosco Doho STIKOM London School of Public Relations Jakarta Author

DOI:

https://doi.org/10.36914/ge5p4q75

Keywords:

Semiotics, Denotation, Connotation, Mythology, Song Lyrics, Puisi Adinda

Abstract

Present with the first album "Seperti Seharusnya" Noah Band was able to make them the most successful band that was able to win 6 trophies at the Indonesian Music Award 2013 (AMI Awards). But not many know, behind the 9 songs contained in the album, there is a hidden track that the vocalist Ariel created as a bonus song for fans who remain loyal to support the Noah Band entitled "Puisi Adinda". In this study the main theory used is the semiotic theory of Roland Barthes. The method used in the study is a qualitative method with a descriptive interpretive approach.

Regarding the outpouring of the main character's heart towards his partner and the continuity of his love story journey. The choice of the word "Puisi Adinda" as the song title represents the woman he loves. The hope of songwriters is that this song can be remembered and used as learning as one of the life events that must have been or is being and will be faced by the layers of society. As long as the main character is still breathing in this world he will always try to be the ideal male figure for the woman he loves. Besides that, he is also inviting his partners to join together to become individuals who are patient, relentless and loyal. The mythology encountered is the role of men in solving problems in love relationships.

Songwriters have an important role because what becomes song lyrics can have an impact on listeners and music lovers. For example, in ideology and idealism.